Louisa Treger

Published : 4th July 2024
Publisher : Bloomsbury
My rating : ⭐️ ⭐️⭐️⭐️⭐️
SYNOPSIS
‘Living with him was like living at the centre of the universe. It was electrifying and humbling, blissful and destructive, all at the same time.’
Paris, 1936. When Dora Maar, a talented French photographer, painter and poet, is introduced to Pablo Picasso, she is mesmerized by his dark and intense stare. Drawn to his volcanic creativity, it isn’t long before she embarks on a passionate relationship with the Spanish artist that sometimes includes sadism and masochism, and ultimately pushes her to the edge.
The Paris Muse is the fictionalized retelling of this disturbing love story, as we follow Dora on her journey of self-discovery and expression. Set in Paris and the French Riviera, where Dora and Pablo spent their holidays with their glamorous artist friends, it provides a fascinating insight into how Picasso was a genius who side-stepped the rules in his human relationships as he did in his art. Much to Dora’s torment, he refused to divorce his wife and conducted affairs with Dora’s friends. The Spanish Civil War made him depressed and violent, an angst that culminated in his acclaimed painting ‘Guernica’, which Dora documented as he painted.
As the encroaching darkness suffocates their relationship – a darkness that escalates once the Second World War begins and the Nazis invade the country – Dora has a nervous breakdown and is hospitalized.
Atmospheric, intense and moving, The Paris Muse is an astonishing read that ensures that this talented, often overlooked woman who gave her life to Picasso is no longer a footnote.
MY REVIEW
Treger has thoroughly researched the relationship between Pablo Picasso and Dora Maar and the resulting fictional retelling of their story is sometimes uncomfortable to read but constantly compelling. I found it hard to put down as I was so absorbed in this tumultuous relationship.
Both Picasso and Maar had difficult childhoods and followed the creative path, with Picasso favouring painting and Maar initially photography but later painting.
Picasso is painted (no pun intended) as narcissistic with no ability to love anyone but himself. He lives by his own rules and everyone must fall in line. Since meeting Maar in 1935, he keeps returning to her for inspiration and validation and although there are tender moments the overwhelming narrative depicts him as being coercive and controlling. He has various lovers but keeps coming back to Maar; a situation she hates but she is so completely obsessed with him she has to accept it. Her mental health is badly affected by him, his constant womanising and his looking down upon her talent and accomplishments.
The description of the historical events happening during the course of the novel really transport the reader to Paris, and to feel the tension as the second world war is starting to affect the lives of the people of France.
I know this story will stay with me for a long time. The characters were not likeable although I presume that was the intention and is a large part of the dark intensity of the story. I enjoyed the first person narrative writing style which made me feel like I was listening to Dora tell her story. Outstanding. Will read more from this author.
ABOUT THE AUTHOR
Louisa Treger, a classical violinist, studied at the Royal College of Music and the Guildhall School of Music and worked as a freelance orchestral player and teacher.
She subsequently turned to literature, earning a Ph.D. in English at University College London, where she focused on early-twentieth-century women’s writing and was awarded the West Scholarship ‘for distinguished work in the study of English Language and Literature.’
Louisa’s first novel, The Lodger, was published in 2014, and her second novel, The Dragon Lady, was published by Bloomsbury in 2019. She lives in London.
Find out more about Louisa at louisatreger.com or https://www.facebook.com/louisatregerwriter or @louisatreger


















